St Mary The Virgin C Of E Church

The Eastbourne familiar to most visitors is that of the genteel, largely Victorian seaside resort. But its history goes back a lot further; the area has been settled since the Romans period, and the Domesday Book records a church, watermill, salt pans, fisheries and ploughlands.
This settlement was a mile or so inland, and is today known as the ‘old town’. At its centre is the church of St Mary, a surprisingly large church dating from the 12^th-​14^th centuries, sensitively restored in the 19^th century, and full of fascinating detail.
The church was built around 1200, and the nave and chancel both survive from this period. The church was enlarged in the 14^th century, with an additional west bay to the nave, a robust tower and north and south aisles.
On entering, the Norman arcades and chancel arch dominate the spacious interior: the chancel arch, strangely, is rounded, whereas the nave and chancel arcades are pointed, although they were probably built around the same time. The nave arcades have alternating round and octagonal piers, with stiff-​leaf carving. The chancel arch and chancel arcades have a type of zig-​zag decoration, whereas those in the nave are plain. The clerestory has large, simple lancets.
The 14^th century gave the tall tower arch and the decorated style windows in the aisles, tower and chancel. Two windows at the east of the south aisle are slightly later, from the 15^th century.
The interior has a wealth of interesting details, fittings and furnishings. The chancel has decorated sedilia, piscina and Easter sepulchre, all with decorated ogee arches from the 14^th century, and the south chapel has a tomb recess from the same period.
There is a rare rood piscina high on the south arcade next to the chancel arch, and there are two delightful faces in the south aisles — the one under the rood stair has a wonderfully bulbous nose. Both north and south chapels have 14^th wooden screens with delicate ogee decoration. The font is slightly later, in the Perpendicular style.
The church has a wealth of memorials, on the walls and floor throughout, dating from the early 17^th to the 19^th centuries. Most notable are those of Katherine Gildredge and her two infant children (d. 1625), carved by Edward Marshall, master mason to Charles II. More poignant is that to Henry Lushington in the South aisle, (d. 1763), He was the elder son of the vicar and a member of the East India Company. He survived the 1756 ‘Black Hole’ Calcutta uprising, but died in another incident in 1763, defending his colleagues in Patna.
Outside, the Old Parsonage — actually a Rectory Manor house — survives from the 16^th century, alongside a timber-​framed barn. More oddly, the churchyard contains a tall Norman cross, brought from St Erth in Cornwall.